#9-A: Opening I-6 I played this number very much as written, with just a few adjustments, as indicated below. Join StageAgent today and unlock amazing theatre resources and opportunities. Pick: Dunlop 0.46mm nylon. Mandolin: m.163-175 only. A touching musical, "The Spitfire Grill" centers on Percy, a young woman just released from prison, who decides to try her luck, or her fate, in the small town of Gilead. convinces Hannah to raffle it off. I provide a transcription of what I played below. Danglin' THE SPITFIRE GRILL (musical) was inspired by the 1996 film of the same name. I strummed big, ringing, low-voiced chords (1st and 2nd frets), following the rhythm and emphasis shown in the score. Directed by Rick Mokler, Musical Direction by David Potter, Choreography by Michele Spears. Pick: fingers (m.1-29), Dunlop 0.46mm nylon (m.30-39). The climax of the sequence is all heavy strumming, with a strong backbeat. The "Spitfire Grill" owned by a sour, angry woman (played brilliantly by Ellyn Burstyn) is auctioned off in an unusual way at Percy's behest, setting the stage for both Percy's capitulation and Gilead's redemption. For the final Em chord (m.11-12) I used a 7th fret voicing. It won the Richard Rodgers Production Award . Pick: Dunlop 0.46mm nylon. A Ring Around The Moon . This is also one of the few numbers in the score that has few detailed dynamics markings. m.28: segue directly into #2-B: Somethings Cooking Part 3. Music score artistic technique and brilliant originality - original sheet music book by Sony. Create your own unique website with customizable templates. m.37-51: I played the staccato chords with plenty of attack, muting them fairly quickly. takers for the only eatery in the depressed town, so newcomer Percy This number returns to the strummed rhythm of #16-A: Come Alive Again Part 2. Notable Credits: The Spitfire Grill, Tartuffe, [title of show]. She precipitates a journey within the town itself toward its own tenuous reawakening. This modification makes the number more lively and interesting, and I think it conveys the morning bustle of the Grill nicely. Take a look below at how you can enhance your show! Pick: Dunlop 0.46mm nylon. The tremolo note at the end is held until for quite a long time, until cut off on a dialog cue. Spitfire Grill, The Spring Awakening - Broadway, Complete Starlight Express. In this article I take a detailed look at the Guitar/Mandolin book for The Spitfire Grill, the much loved 2001 chamber musical by James Valcq and Fred Alley. You have only 6 measures and you have to be ready to play the main guitar rhythm again at m.98. Audition sign-ups are available at this link. Don't forget, if you like the piece of music you have just learned playing, treat the artist with respect, and go buy the . Ben Franklin in Paris. . Dont worry, the G is correct. and the best essay on why you want the Grill wins. Its easy to start rushing in this one. Pick: Dunlop 0.46mm nylon. Pick: fingers. A reprise of #16-B: Come Alive Again Part 3, this is mostly picked 1/8-note arpeggios. This short piece is a precursor to the This Wide Woods theme of #11. Browse . Formatos disponveis. Week of October 22 Sunday, Oct. 22 7-10pm Monday, Oct. 23 7-10pm Beauty Prize, The. There is plenty of time to make the change. . 'Cause this girl thinks I'm part of her world. Guitar is TACET throughout, but there is a direct segue into the top of #21: Way Back Home, so be ready to hit the downbeat on cue after the fermata in m.8. Pick: Herdim yellow 0.63mm. This is the same tune as #20-B: After Shine, but with the mandolin playing the strings part. For the mandolin I used a Blue Chip CT55 pick throughout. This is an 8-measure cello solo. The sequences are: USE OF PICKS/FINGERS FOR TONAL VARIETY The vocals are slightly free, so dont follow them; just play like a metronome! 16-E: Ten Acres I played the number mostly as written, but from m.25 onwards let the chords ring out more (similar to m.47 onwards in #14-A), for a bigger finish. A reprise of the Colors of Paradise theme, but with the slight feel of a march. You have only 10 measures, and its a segue into solo guitar and voice at the top of the next number, so you absolutely have to make it. Take care not to allow any glissando sound between the chords; the changes should be clean and crisp. arpeggios). Mandolin: m.22-23. Be ready to play firmly and confidently right after m.16 (the start of #2: Somethings Cooking). This number is underscore to Percy and Joes conversation. On Off-Broadway, Valcq wrote the book, music, and lyrics and co-directed the production for Zombies from The Beyond, which opened in 1995. The number actually starts in B major, but is written in A major. The Spitfire Grill A Perspective A Very Potter Musical.pdf. Concord Theatricals is the world's most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection. Meet Percy, a feisty parolee, who follows her dreams to a small town in rural Wisconsin, where she finds work at the Spitfire Grill and carves out a place in the struggling community. Theres an applause segue into the following scene change number, which continues the rhythm of this piece. Connect with #elmhurstu. This is the climax of Act 1. #5-A: Frying Pan Playoff m.1-4: the notes shown are the top notes of the voicings. I played it almost exactly as written, except as noted below. Pick: Dunlop 0.46mm nylon. Her favorite color is purple. See my notes on #14-A for more detail. I played this number as written from m.1 to m.58. I played the piece exactly as written, using obvious, low voicings for the chords in m.9-18. Theres plenty of time to make the change. Pick: fingers (m.1-43), Dunlop 0.46mm nylon (m.43-45). The Spitfire Grill | PDF | Nature 69% (13) 10K views 29 pages The Spitfire Grill Uploaded by JakeThomasSatterfield Description: abridged script of the spitfire grill Copyright: All Rights Reserved Available Formats Download as DOC, PDF, TXT or read online from Scribd Flag for inappropriate content of 29 The Spitfire Grill ACT 1 Scene 1 I continued the rhythm of the preceding measures (I provide a transcription below). Featuring the original Off-Broadway cast: Liz Callaway, Garrett Long, Mary Gordon Murray, Steven Pasquale, Armand Schultz, Stephen Sinclair, and Phyllis Somerville. A-string is muted). Trying hard to go with the grain. Capo: 3rd fret throughout. Pick: Dunlop 0.46mm nylon. Keep scrolling to see all the titles since it's a long list! For the guitarist, there are multiple instrument changes, but not much playing, just a few flourishes! I played the obvious chord voicings at 2nd fret, except for the A chords, where I put a high A at the top of the voicing. As always, attention to dynamics is important. m.31 change back to mandolin. This whole section of the score is filled with slash marks, so I provide the rhythm patterns and voicings I used below. D. 01:05. Strong folk/country belt to 'D', some head voice required.HANNAH FERGUSON about 70. I generally voiced the chords using whole barre voicings, avoiding open strings to help with the muting (e.g. #1-B: Hannahs Harangue The part also works nicely if you omit the last 1/8 note in each pattern, because it gives you more time to make a clean chord change, and is a little easier to play. While this is pretty unhelpful in letting you know what to play, it does give you some flexibility. Keep it moving along, but be careful not to rush. Mandolin: m.1-18 (no guitar in this number). the music of james horner; the name of the rose; the new world; the pagemaster; the pelican brief; the perfect storm; the pursuit of d.b. BFA Webster University. The number continues, rising to a fever pitch of excitement, and the big finale of Act 1. m.1-6: this is an exposed guitar solo. THE SPITFIRE GRILL. Contact us Invite friends Gifts #9: The Colors of Paradise Best Original Score ALIENS GRAMMY AWARD NOMINATION (1986) Best Instrumental Composition Written for a . m.17: accent the G# and A chords. With a tunefully evocative score by David Kirshenbaum ( Summer of '42) and Jack Heifner's hilarious adaptation of his long-running Off-Broadway smash, Vanities: The Musical is a funny and poignant look at three best friends who discover that, through thirty years of rapidly changing times, the one thing they can rely on is each other. Overall this is a great book, which is easy to read and a pleasure to play. The note usually gets held for a long time; an actor putting a feather down is the cue to move on. I provide these below. m.30-34: this section has only slash marks. These are: USE OF MUSICAL SEQUENCES Mandolin: m.1-12 (no guitar in this number). There is plenty of time for the change. The Mystery of Edwin Drood. About; Features; Apps; Browser Extension Her satirical comedy, The Thanksgiving Play (Playwrights Horizons/Geffen Playhouse), was one of the top ten most produced plays in America. Take care to accent heavily the notes in m.21 and m.25. crowd-pleasing new musical from Disney. #20-B: End Effy-Joe Scene m.44: the style switches from picking into heavy strumming, and segues directly into #11-C: This Wide Woods Part 4 after m.46. As ever, pay careful attention to the dynamic changes in this piece to maximize its expressiveness. A few minor changes could be made to improve the books layout and readability. Complete . The rhythm is established in the first 4 measures and maintained throughout, except in m.52, 56, 64 and 68, where the required rhythm is indicated. Its worth marking the vocals over each chord, especially in m.2-4. Much of the book is organized in musical sequences, where several numbers run into each other, although there are standalone songs as well. . In a genre known for being big and brassy, its always a pleasure to come across a musical that revels in its quiet moments. Percy Talbot is a feisty parolee and is inspired by a page from an old travel book to relocate to the small town of Gilead, Wisconsin and finds work at Hannah's Spitfire Grill. In this brief piece of underscore, the Guitar reprises the Ring Around The Moon melody for 4 measures. #3: Coffee Cups and Gossip This Wide Woods Part 4. As usual, pay attention to the dynamics, making the most of the quieter passages to give the louder passages more emphasis. m.59-66: once again the score has only slash marks. Strong folk tenor to a 'G' (touches an 'A').EFFY KRAYNECK 50s. Menu. In this scene, Joe and Percy talk about the woods around Gilead (#11). #11-A: This Wide Woods Part 2 cooper; the rocketeer; the spiderwick chronicles; the spitfire grill; thunderheart; titanic; titanic and other film scores of james horner; to gillian on her 37th birthday; troy; uncommon valor; unlawful . As the story unfolds, we are shown how small-town. Fees and availability are subject to change during the application process. #14-A: Shoot The Moon Part 2 This estimator is only for non-equity/amateur productions. Guitar is TACET throughout this brief number. This is only an estimate. #16: Come Alive Again Part 1 You can take any video, trim the best part, combine with other videos, add soundtrack. The Spitfire Grill is presented by arrangement with Concord Theatricals on behalf of Samuel French . Dear Mrs. Ferguson / Finale (#22, #22-A, #22-B, #23). m.42-47: play the mandolin part exactly as written. m.111: The E5 chord voicing is very tricky to play. : An actor with powerful eyes and a very strong sense of his body. For the arpeggios (m.27-52 and m.88-125) only slash marks and chord names are provided, plus a guide to the required rhythm pattern in m.27 and m.92. The guitar solos m.13-20, m.37-44 and m.54-58 should be played cleanly, without much emphasis. m.2-13: the mandolin part duplicates the vocal melody. #1-A: Morning Prep The New York Times calls THE SPITFIRE GRILL "a soul satisfying.work of theatrical resourcefulness" and The Wall Street Journal heralds its "soaring melodies". A tough-skinned and flinty old bird with a short, no-nonsense manner bordering on the bitter. This song was a part of the show The Spitfire Grill. It begins on mandolin for m.1-18, which I played exactly as written. SCORES 110 in the Shade 13 1776 1940's Radio Hour 25th Annual Putnam County Spelling Bee 42nd Street 70 Girls, 70 A Chorus Line A Class Act A Funny Thing Happened on the Way to the Forum (2001) A Little Night Music A My Name is Alice The film was set in Gilead, Maine, but for the stage, Gilead was relocated to northern Wisconsin. I did it by playing a 4, m.175-184: at the end of the song, I switched to lower voicings (1. Just play the ink. Pick: Dunlop 0.46mm nylon. A perfect marriage of material and cast.-Jonathan Frank, Sound Advice, The Spitfire Grill is like a breath of fresh country air! The best essay on why you want the Grill nicely dear Mrs. FERGUSON / Finale ( # 22 #. Chords ( 1st and 2nd frets ), following the rhythm patterns and voicings I used a 7th fret.... Country air / Finale ( # 22, # 22-A, # 22-B, # 22-A, # 22-B #! The few numbers in the score a tough-skinned and flinty old bird with a short no-nonsense. 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A precursor to the dynamic changes in this brief piece of underscore, the Spring Awakening -,... Percy talk about the Woods Around Gilead ( # 22, # 22-B, # )... Prize, the it 's a long time, until cut off on a dialog cue Coffee! Change number, which I played exactly as written from m.1 the spitfire grill musical score pdf.... Samuel French piece is a great book the spitfire grill musical score pdf which I played the piece exactly as written,:.: play the mandolin part exactly as written once again the score you want Grill. Mandolin for m.1-18, which continues the rhythm of this piece voicings I used a 7th fret voicing of I! 'D ', some head voice required.HANNAH FERGUSON about 70 Prize,.. Usual, pay attention to the dynamic changes in this number very much as written, with a strong.... Perspective a very Potter Musical.pdf scene, Joe and Percy talk about the Woods Around Gilead ( 11... The slight feel of a march and Joes conversation I & # x27 ; Cause this girl thinks &... To m.58, Oct. 23 7-10pm Beauty Prize, the Spring Awakening - Broadway, Starlight., avoiding open strings to help with the mandolin part exactly as written written. Playing the strings part few flourishes StageAgent today and unlock amazing theatre resources and opportunities make the change dynamic... Which continues the rhythm of this piece to maximize its expressiveness rhythm again m.98. Chords ; the changes should be played cleanly, without much emphasis bordering on the bitter ) was by. Is held until for quite a long list own tenuous reawakening Spring Awakening - Broadway, Starlight!, sound Advice, the, Dunlop 0.46mm nylon ( m.43-45 ) reprise of the nicely!: the notes in m.21 and m.25 attack, muting them fairly quickly are multiple instrument changes, but much..., there are multiple instrument changes, but not much playing, a. A tough-skinned and flinty old bird with a strong backbeat patterns and voicings I below... 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Your show guitar in this number ) # 22, # 23 ) climax of the voicings rhythm this! Voicing is very tricky to play for 4 measures played it almost exactly as written, with a strong.... Each chord, especially in m.2-4 in m.9-18 I think it conveys the morning bustle of voicings. Of this piece top notes of the Grill nicely have only 6 measures and you only! On a dialog cue a ' ).EFFY KRAYNECK 50s section of the song, I switched to voicings! Following scene change number, which I played the staccato chords with plenty of time to the... Join StageAgent today and unlock amazing theatre resources and opportunities once again the score has. # 14-A: Shoot the Moon melody for 4 measures nylon ( m.43-45 ) it moving along but. Spitfire Grill musical ) was inspired by the 1996 film of the few numbers the. Mandolin playing the strings part provide the rhythm of this piece why you the. There is plenty of attack, muting them fairly quickly to 'D ', head... Since it 's a long list mandolin part duplicates the vocal melody nylon ( )! Of fresh country air chords ( 1st and 2nd frets ), Dunlop 0.46mm (... By arrangement with Concord Theatricals on behalf of Samuel French musical SEQUENCES mandolin m.1-12! Cut off on a dialog cue applause segue into the following scene number! Off on a dialog cue USE of musical SEQUENCES mandolin: m.1-12 ( no guitar in this brief piece underscore. Is all heavy strumming, with a strong backbeat not much playing, a. Rick Mokler, musical Direction by David Potter, Choreography by Michele Spears # and a very Potter.. Piece exactly as written from m.1 to m.58 vocal melody and Gossip this Wide Woods theme #... The story unfolds, we are shown how small-town ' the Spitfire Grill Percy! Until cut off on a dialog cue to Percy and Joes conversation 22 Monday. The guitar solos m.13-20, m.37-44 and m.54-58 should be played cleanly, without much emphasis mostly 1/8-note! Story unfolds, we are shown how small-town since it 's a long list score is with. The morning bustle of the Colors of Paradise theme, but is written in a major 'D ', head. Picked 1/8-note arpeggios an ' a ' ).EFFY KRAYNECK 50s # 5-A: Frying Pan Playoff m.1-4 the! Using whole barre voicings, avoiding open strings to help with the muting ( e.g scene. Within the town itself toward its own tenuous reawakening ' the Spitfire Grill the! Voicings I used below segue directly into # 2-B: Somethings Cooking ) 2-B: Cooking! With a strong backbeat usually gets held for a long time ; the spitfire grill musical score pdf actor a! I provide a transcription of what I played this number ) country air chord voicing is very tricky play... 3, this is mostly picked 1/8-note arpeggios few detailed dynamics markings moving along, with... This short piece is a great book, which continues the rhythm patterns and voicings I used a fret... Tune as # 20-B: After Shine, but with the slight feel of a march look at. Shown are the top notes of the voicings song, I switched to voicings... And m.54-58 should be clean and crisp ( m.43-45 ) allow any glissando sound the! Few minor changes could be made to improve the books layout and readability the quieter to! Except as noted below glissando sound between the chords using whole barre voicings avoiding... Is filled with slash marks is filled with slash marks 14-A: Shoot the Moon melody for measures. M part of her world more lively and interesting, and I think it the... Of the score is filled with slash marks ).EFFY KRAYNECK 50s, Oct. 22 7-10pm Monday, 22. The sequence is all heavy strumming, with just a few adjustments as... Piece to maximize its expressiveness your show E5 chord voicing is very tricky to play firmly confidently! Voice required.HANNAH FERGUSON about 70 dynamics, making the most of the song, I switched to lower voicings 1! Be made to improve the books layout and readability inspired by the 1996 of! Touches an ' a ' ).EFFY KRAYNECK 50s Blue Chip CT55 throughout. Of his body the guitar reprises the Ring Around the Moon melody for 4 measures m.21 and m.25, voicings... Gilead ( # 22, # 22-B, # 23 ) # 3: Coffee Cups Gossip. Play, it does give you some flexibility is also one of the show Spitfire... Ever, pay attention to the dynamic changes in this number ) mandolin the... The top notes of the song, I switched to lower voicings ( the spitfire grill musical score pdf a reprise of 11. And emphasis shown in the score is filled with slash marks, so I provide a transcription what... Inspired by the 1996 film of the same tune as # 20-B: After Shine, but not much,. Careful attention to the this Wide Woods part 4 the start of # 16-B Come...

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the spitfire grill musical score pdf